Kanye West's Critique of Prosperity Preaching (ReligionDispatches)

2003 was a pivotal year in the religious history of rap music, if for no other reason than the release of Kanye West’s debut album, The College Dropout, which featured the song "Jesus Walks." This single signaled a new development in rap music, a genre that in its earlier years was firmly aligned with the visions of racial opposition and religious nationalism articulated by black Muslims, especially NOI and Five Percenters. As much as the song indicated a spiritual shift in hip hop—making Jesus a centerpiece of the culture—it also inaugurated a new (and related) class sensibility. No longer was the voice of "the hood," as a stand-in for the black underclass, dominant. The College Dropout effused the anxieties of a particular black bourgeois sensibility, and the album put the lie to the myth that hip hop and middle-class identity are mutually exclusive. In fact, on the track "All Falls Down," Kanye performed an overdose of the proverbial "conspicuous consumption" as he rapped: I wanna act ballerific like it’s all terrific I got a couple past due bills, I won’t get specific I got a problem with spending before I get it We all self conscious, I’m just the first to admit it

Continue reading "Kanye West's Critique of Prosperity Preaching" at Religion Dispatches

Call and Response on the State of the Black Church (New York Times)

Call and Response on the State of the Black Churchby Samuel Freedman New York Times (April 17, 2010)

In the first decade of the American nation, a former slave turned itinerant minister by the name of Richard Allen found himself preaching to a growing number of blacks in Philadelphia. He came to both a religious and organizational revelation. “I saw the necessity,” he later wrote, “of erecting a place of worship for the colored people.”

Allen’s inspiration ultimately took the forms of Bethel African Church, founded in 1794, and the African Methodist Episcopal denomination, established in 1799. As much as it can be dated to anything, the emergence of a formal African-American Christianity can be dated to Allen’s twin creations.

Over more than two centuries since then, the Black Church has become a proper noun, a fixture, a seeming monolith in American society. Its presence is as prevalent as film clips of the Rev. Dr. Martin Luther King Jr. delivering the “I Have a Dream” speech and contestants on “American Idol” indulging in the gospel style of melisma.

To continue reading, go to: New York Times

What is the 'black church' (Washington Post's "On Faith")

At the same time that President Obama was preparing to convene a meeting of black religious leaders at the White House, a debate had been brewing over the blogosphere, mostly among scholars of religion, regarding the significance of black churches in this historical moment. To attribute the cause of the former to the latter would be to overestimate the impact of scholarship on society, but the confluence of these conversations certainly appear serendipitous... continue reading at On Faith

The RZA's Religious Ruminations (ReligionDispatches)

RZA's The Tao of Wu: Hip Hop Religion, Spiritual Sampling, and Race in a "Post-racial" Age You'd think that seven years after the release of Kanye West’s “Jesus Walks” that there would be little need to explain the link between Hip Hop music and religion. Yet in a recent NPR interview, I was asked once again what the often profane posture of Hip Hop has to do with the sacred aspirations of spirituality. So perhaps it is still necessary to pause at the outset and offer a few examples as a reminder to readers of rap music’s long tradition of religious ruminations.

In fact, one can trace a trajectory that goes back as far MC Hammer’s 1987 debut album, Let’s Get it Started, which featured the gospel track, “Son of the King.” Such spiritual lyricism continued through the prophetic musings of Tupac Shakur, the biblical (re)imagination of Ja Rule (i.e. Rule 3:16), the Muslim message of Lupe Fiasco, and the messianic aspirations of Remy Ma, whose 2008 album was simply titled, Shesus Khryst.

to continue reading, go to Religion Dispatches

The Black Church is Dead--Long Live the Black Church (ReligionDispatches)

A few weeks ago, Princeton’s Eddie Glaude Jr. published an obituary for the black church in the Huffington Post—the Digital-Age equivalent of nailing a set of theses to a church door. And while it is a brief article, short on the conventions of mourning, in it Glaude details the long, lingering illness of the venerable institution, and cites multiple causes of death. What has finally died, Glaude explains, is the idea of the black church as a singular idea; what remains are black churches, in the plural.Glaude concludes his provocative pronouncement with what Jonathan Walton refers to below as “a prophetic challenge.”

The death of the black church as we have known it occasions an opportunity to breathe new life into what it means to be black and Christian. Black churches and preachers must find their prophetic voices in this momentous present. And in doing so, black churches will rise again and insist that we all assert ourselves on the national stage not as sycophants to a glorious past, but as witnesses to the ongoing revelation of God’s love in the here and now as we work on behalf of those who suffer most.

RD asked a selection of historians, religious scholars, and other interpreters of the black church to respond to Glaude’s thesis, and to his challenge. Following is a set of comments and reflection:

to continue reading go to: The Black Church is Dead--Long Live the Black Church

A Celebration of Life: A Historian for the History Books

Published: March 25, 2009

RALEIGH, N.C. (AP) -- John Hope Franklin, a revered Duke University historian and scholar of life in the South and the African-American experience in the United States, died Wednesday. He was 94.

Duke spokesman David Jarmul said Franklin died of congestive heart failure at the university's hospital in Durham.

Born and raised in an all-black community in Oklahoma where he was often subjected to humiliating incidents of racism, he was later instrumental in bringing down the legal and historical validations of such a world.

As an author, his book ''From Slavery to Freedom'' was a landmark integration of black history into American history. As a scholar, his research helped Thurgood Marshall win Brown v. Board of Education, the 1954 case that outlawed the doctrine of ''separate but equal'' in the nation's public schools.

''It was evident how much the lawyers appreciated what the historians could offer,'' Franklin later wrote. ''For me, and I suspect the same was true for the others, it was exhilarating.''

Franklin broke numerous color barriers. He was the first black department chair at a predominantly white institution, Brooklyn College; the first black professor to hold an endowed chair at Duke University; and the first black president of the American Historical Association.

to continue reading go to: New York Times.com

Look out for "Watch This: The Ethics and Aesthetics of Black Televangelism"

As we near the end of the first Black History Month in age of the first black president, I want to quickly share with everyone the arrival of an important and timely book:  Watch This: The Ethics and Aesthetics of Black Televangelism, by Jonathan L. Walton.

In case you didn't already know, President Obama's road to the White House revealed most clearly that African American religion continues to occupy a most pivotal place in the American cultural imagination.  Moreover, his dramatic falling out with Jeremiah Wright (I know, this conversation is already exhausted) confirmed that the common assertion of the United States as a Christian nation is a claim in need of further clarification.  While African Americans have long inserted themselves into the Christian story, the Obama-Wright show served to illustrate that not all forms of American Christianity (really, protestantisms) achieve equally footing in the public culture of the U.S.

Jonathan Walton's "Watch This" provides a compelling a critical account of the varieties of black Christianity that now dominate airwaves both in the U.S. and around the globe.  I've had the privilege of dialoging with the author as the project moved from dissertation to book, and I know him to wield one the sharpest and most insightful interpretations of African American religion, in particular, and religion and culture in America, more broadly.  While I've just started to get into the book myself, I am confident that anyone who picks it up will learn something new about religion and race in America.

Kudos, Congratulations, and Thank you, Jonathan!

What follows is the beginning of his discussion of the book on the website ReligionDispatches:

 Ten Questions for Jonathan Walton on Watch This! The Ethics and Aesthetics of Black Televangelism

What inspired you to write Watch This?

My interest in African American religious broadcasting came from what I perceived to be the gaps in the fields of African American religion and Religion, Media and Culture. For the most part, scholars of African American religion in general and black theology in particular theorize about Afro-Protestantism in America according to a particular historiography that privileges liberal Protestantism in general, and civil rights motifs in particular. But the prevailing narrative of the freedom fighting “black church” is in many ways inconsistent with a number of African American Christians whose view of the faith is informed by Trinity Broadcasting, the Word Network, and Streaming Faith.com. Just the same, for sociologists and communication theorists who have examined the world of evangelical religious broadcasting, it is predominantly framed as the domain of the white, Religious Right.

This book, then, is my attempt to illumine, unpack and interrogate the theological and social orientations of prominent black religious broadcasters in order to understand them as a source of attraction and ethically evaluate their dominant messages...

To continue reading go to ReligionDispatches.org.

To purchase book, go to www.nyupress.com

A Backslidden Blogger, Inaugurating Obama and "The End of White America"

It has been exactly one year since I made my last blog entry – can I still really call myself a blogger?  Anyway, 2009 was quite an eventful year for me both professionally and personally.  With regards to the latter, I entered the land of parenthood as my wife and I welcomed our son into the world in January.  As for the former, less than six months later I walked across the commencement stage at Harvard with the university's first class of Ph.D.s in African American Studies (and thousands of other graduates as well). As both a black father and a recently-minted Ph.D. in African American Studies there was perhaps no more intriguing event in 2009 than the historic election of Barack Obama.  Personal background aside, Obama’s rise to the presidency was arguably the biggest headline around the world, rivaled only by the economic collapse that serves as the background to this week's festivities, around the world.  So much has been written about Obama that I’ve been reluctant to weigh in -  Seriously, what more can be said!  As a good friend, and colleague in the study of religion, recently bemoaned, “Since when did Obama become the arbiter of the black religious experience?”  Moreover, given the culture of celebrity and the fascination with the entire Obama family (we love you Michelle, Sasha and Malia!), they have also become the poster image for the African American family.  Want to know about black love, black parenting, etc – there’s sure to be scores of articles available on each topic that begin with an Obama invocation.

Despite being overwhelmed by Obama-mania (how quick does it take to become an empty signifier?), I’d be lying if I did not admit that I too will be celebrating this Tuesday, or acknowledge how often I’ve considered the question, as a new parent, of what it will mean for my son’s first memories of the White House will be occupied by images of a black family.  As a scholar of African American religion, there is still much that can be said of the subtle ways that Obama appealed to, but also superceded, black church traditions in his campaign.  And, as a historian I still wonder, given the current academic interest in re-thinking Black Power, what it will mean that the man who heads the United States—the last super power—is African American.  Can American imperialism also be a form of black power?

Anyway, at this point I will leave these preliminary thoughts as they are, as simply questions. But I do want to direct attention to one article that I recently read that stood out for me in the sea of stories on Obama, blackness, and the so-called “post-racial” era. Hua Hsu, a colleague and friend of mine from Harvard, who teaches at Vassar College and also happens to be formidable behind the turntables, recently examined what the Obama phenomenon says about the current state of whiteness in America.  The header to his article reads as follows:

"The Election of Barack Obama is just the most startling manifestation of a larger trend: the gradual erosion of “whiteness” as the touchstone of what it means to be American. If the end of white America is a cultural and demographic inevitability, what will the new mainstream look like—and how will white Americans fit into it? What will it mean to be white when whiteness is no longer the norm? And will a post-white America be less racially divided—or more so?"

To read the entire essay, click on the following link to The Atlantic on-line.

This excellent piece is certainly worth reading in its entirety.  Perhaps you'll turn to it after coming down from the inauguration high, as we celebrate this historic moment and consider the continued promises of American democracy.  Then all of us who live our lives in the many worlds between black and white will begin the difficult work of figuring out what the Obama era will truly offer.  In the meantime, for now I will return to singing "We Shall be Free" with my wife and son, along with Garth Brooks, Shakira, Stevie Wonder and the rest of the pre-inauguration party cast.  GOBAMA!

A Word From My Favorite Black Republican

Hope this finds y'all well in the New Year... In light of what I will call the Obama Iowa Caucus scare, and the heating up of the Democratic primary race in its wake, I wanted to share with you a couple of emails from a good friend who I've known since my undergrad days at Oral Roberts University in the early/mid-1990s. On campus he was the most vocal black democrat, with a biting racial critique of the college's politics; and I vividly remember him celebrating Clinton's 1992 victory - at least in part to provoke tears (and they were being shed) on the part of ORU's even more vocal Republican majority.

Sean McCray is now pursuing a career in law and, while switching party affiliations, has maintained his critical commentary on race politics in America. Check out his email comments (included here with his permission) below and let me know what you think...

MONDAY, January 14, 2008

"Others are finally seeing the real Bill and Hillary Clinton. The so called "black" President. They also passed out mailers in NH implying that Obama was not pro-choice. Although Obama and Hillary have the exact same rating from Planned Parenthood and NARAL. The Clinton's are just getting started. Wait and see. Let’s see how long blacks will hold on while the Clinton's play racial politics."

"I keep saying I am going to write a book exposing that man's record. My mother has never voted Republican, and she said she would not vote for Hillary, just tired of the dirty politics they play. Bill Clinton is … as usual, showing no class. He is a former President, he should act like it. Running around telling blatant lies on Obama, I mean blatant lies. (Bush 41 never acted like this.) When the Republicans win the Presidency in the Fall, remember this is when the Dems lost it. The Obama supporters will not follow Hillary unless she makes Obama the VP. We all know ain’t no way america is going to elect a woman/black on the same ticket."

"Say hello to President McCain, and not seeing the Dems in the white house for at least 8 more years. As blacks continue to hitch our political lives on one party."

TWO DAYS LATER... (Wednesday, January 17, 2008)

"It is Dick Morris (SEE: Hannity and Colmes) talking about the Clinton's purposely using the race card to gain white voters. Guess what, its working. Obama's lead in SC has gotten smaller, even though the black vote has moved toward him. The Clinton's wanted this, they wanted to make Obama "black". They know what that says to many white liberals. If they make him "black", it is easier to call him names, and call him a liar. They are thinking about the Super Tuesday elections. They also hope that if Obama wins SC they will be able to dismiss the win as a "black" victory. "

Has Sean got it right? Let me know what y'all think...

Keeping it Critical in 2008!

Respect,

Josef

A Christmas Introduction to a New Fanon Scholar

Good Afternoon and a Merry Christmas to you all:

Yes, I am aware of the obvious contradictions (I prefer the term "complexities") of sending out a blog that introduces a new work on one of the foremost radicals in the black intellectual tradition - Frantz Fanon - on this day, which has become perhaps the central religious symbol of the high holidays of American capitalist consumption. But, alas, this is the conundrum of being a New World Negro Scholar...

For a number of reasons, I am sending this out in this moment:

First (the selfish reason), I am in the process of sorting through a dissertation chapter on the Black Arts Movement and it is impossible to examine the various iterations of Black Power, in politics and culture, without taking seriously the import of Fanon's thinking on this generation. I'm thinking about Fanon, so here you go...

Second (perhaps less selfish), in the spirit of giving I wanted to support the work of a good friend of mine, Vivaldi Jean-Marie, who I was privileged to meet at the beginning of 2007, while we were both teaching at Medgar Evers College in Brooklyn.

Val is a sharp brother trained in the continental tradition - in fact, he was the first person of African descent to finish the New School's PhD program in Philosophy in over twenty years - who I have had the opportunity to break bread with on topics ranging from the unique opportunities of teaching at an HBCU, the challenges of balancing personal commitments and professional aspirations, the joys and anxieties of entering fatherhood (both of our wives are due to give birth in January), and how to find a great sale on high end jeans (the only way most of us in the Academy can afford them)... I digress.

Anyway, it gives me great pleasure to introduce Val to you all and to celebrate the publication of his first book. By the way, he has already finished the manuscript for his second book- a revision of his dissertation on Hegel and Kierkegaard.

What follows is more formal intro provided by Val himself and a link to where you can find his book.

A Peaceful Holiday season to you all!

Respect, Josef

Vivaldi Jean-Marie received his Ph.D. in Philosophy from the New School for Social Research in New York City. He is Assistant Professor of Philosophy at Medgar Evers College in Brooklyn, NY. Fanon: Collective Ethics and Humanism is his first book and focuses on Frantz Fanon's final book Wretched of the Earth. Dr. Jean-Marie's research project is to reflect on the ethical experiences of the people of Africa and the African Diaspora. The key question is: What is the good life for the people of Africa and the African Diaspora in the Post-Colonial period? This fundamental question was raised by Aristotle's Nichomachean Ethics, which attempts to formulate the Ethos of the happy life for Westerners, but it has not been raised for the people of Africa and the African Diaspora. Fanon:Collective Ethics and Humanism is his first attempt to address this question from a social, cultural, and political perspective.

You can purchase the book on Amazon or at Peter Lang.

Reflections on Hip Hop Culture, Christianity and Social Capital

Blinging Cross

In recent years, references to Creflo Dollar, arguably the most popular black prosperity preacher of the day, have become a visual and verbal fixture in Hip Hop music. Such instances include a cameo appearance in Ludacris and Jermaine Dupri’s “Welcome to Atlanta” video, an invocation in a song by Fifty Cent, a professed pastoral affiliation by Mase, and a shout-out from Lupe Fiasco in his underground re-mix of Kanye West’s “Jesus Walks.” This would seem to suggest, at least within the culture of the bling, that Christianity has become as much a signifier of wealth and power as it is evidence of any specific type of theological vision. Evidently Dollar – for whom wealth is a core spiritual value – seems to embody, for many Hip Hop artists, the essence of Hip Hop’s hustle doused in holy water. Interestingly, Pastor Dollar also has a rap video in the works, performed a by a group of rappers, the Ziklag Boyz, who belong to his church and record on his Arrow Records label. A surprise to no one, the song’s refrain is simply, “Money, money, coming down!” (see: http://www.youtube.com/watch?v=dFyMEnXDG4g ). While the video draws much resemblance to Lil’ Wayne and Fat Joe’s tale of the strip club, “Make It Rain,” – with dollar bills floating across the screen – noticeably absent from the Ziklag Boyz’ video are the bodies of scantily clad black and brown women. For male rappers, it is the bodies of black females that often make their rap videos so profitably seductive, but Dollar insists that the power to get “bling” can just as easily be achieved dropping bible verses like they're hot. The mutual resonance between much of rap music and Dollar’s prosperity ministry is but one instance where Christianity seems to function as an explicit form of social capital in popular culture . . .

For the entire article go to: http://faithinmotion.net/